In what will be the first of a number of posts on Harry Potter and the Deathly Hallows, I want to comment on Ilya Somin's complaint that:
The most important shortcoming of the Harry Potter series is its often unconvincing depiction of evil. Creating a plausible ideology for the "bad guys" in a fantasy series is an important challenge that many writers try to sidestep. There are all too many fantasy books that include a "Dark Lord" who seems to be evil for evil's sake, without any justifying ideology that might actually appeal to anyone. This is an important weakness of many works in the genre, and J.K. Rowling unfortunately falls into this trap in the Potter books.
I don't think this post has any spoilers, but I'll put the rest below the fold just in case.
I want to make three distinct arguments:
- Voldemort does not need an ideology to succeed in the context of the wizarding world of Harry Potter.
- Voldemort has an ideology.
- In most cases, ideology is part of the backstory and rarely will be developed as explicitly as Somin apparently desires.
Some of these arguments may seem inconsistent, but one of the first things I learned in law school is that lawyers need to be able to make the famous kettle argument with a straight face. (In the “Case of the Kettle,” the plaintiff sought damages for a kettle that he claimed the defendant had borrowed and returned cracked. The defendant's counsel responded with three distinct defenses: (1) Defendant did not borrow the kettle. (2) The kettle is not now and never was cracked. (3) The kettle was cracked when the defendant borrowed it.)
The Non-Necessity of Ideology
Somin contends:
Rowling ... is much less convincing in her depiction of the more radical evil represented by Lord Voldemort and his followers. The problem here is the absence of ideology. Voldemort seems to be motivated almost solely by his desire for power and immortality. His followers seem driven either by fear of his power (the Malfoys) or personal loyalty (Bellatrix LeStrange).
Real-world evil political movements simply aren't like that, at least not exclusively so. They always have an ideology that justifies their policies, usually a quite elaborate one. Think of the Nazis, the Communists, Al Qaeda, and so on. Each of these groups had a detailed ideology that purported to explain why their policies were right, just, and necessary for reasons that go beyond the narrow self-interest of the movement's leaders. Even if the leaders themselves didn't always believe in the ideology, it played a key role in motivating and indoctrinating the followers.
I agree that a motivating ideology probably is helpful in mass movements, so as to persuade people that they are fighting for a good cause. But is it as essential as Somin suggests? In the Civil War, the South had an ideology of states rights and property rights that it invoked to justify defending the evil system of slavery. Yet, the most famous exchange about the motivation of Confederate soldiers was entirely non-ideological: A Union soldier asked a captive Confederate soldier, "why are you fighting?" The Confederate responded, "I'm fighting because you're down here."
The literature on social norms and behavioral economics, moreover, suggests that small groups often find common cause based not on the basis of reasoned arguments (such as a political ideology) but on the basis of emotional responses like trust, friendship, and loyalty.
Rowling has estimated that there are only 3000 wizards in Great Britain (some estimates claim it has to be more like 8,000 to 10,000). We know from all the books (including Harry Potter and the Deathly Hallows) that the bulk of the wizardly population is sitting on the sidelines hoping to get by. The number of active combatants on either side is probably less than a couple of hundred. Fear, personal loyalty, the glamor of evil, the attraction of secret knowledge, the prospect of being allowed to share in Voldemort's immortality (why else would he call his followers "Death Eaters"?), plus the power of the Imperio curse collectively explain Voldemort's hold on his followers without the need for a mass ideology.
A somewhat different perspective on this question, which reaches the same result as to the necessity of ideology, is provided by an examination of Rowling's understanding of evil:
Another aspect of evil is that it is chosen. Both Tom Riddle and Harry Potter had similar childhoods. Both suffered rejection. Riddle's mortal father and even his own wizard family rejected him and Potter was forced to endure the neglect and mistreatment of the Dursley's. Uncle Vernon was forever afflicting all sorts of punishment upon Harry and spoiling his own son, Dudley. Yet Potter reached out to the good in others and Riddle turned into Lord Voldemort and evil.
In the book 1984, Big Brother is only about Power. George Orwell made it clear that the Party was not interested in creating a new society or propagating a new ideology. The Party dispensed with the notion of right or wrong, and simply settled for wrong. Lord Voldemort is J.K. Rowling's version of Big Brother as he attracts loyal followers, but as Dumbledore notes, he is not interested even in his followers and no one is really close to him. He is the definition of narcissism.
Voldemort has an Ideology
Somin contends that:
Rowling takes a small step in the right direction in her emphasis on Voldemort's and the Death Eaters' hostility to Muggle-born ("Mudblood") wizards. The obvious analogy is to real-world racism. However, she never really explains why the Death Eaters hate Muggle-borns so much, which makes the hostility seem unmotivated and pointless. In the real world, racism and anti-Semitism were justified by elaborate theories of either the inferiority or the malignant nature of the despised group. Often there are also real or imagined historical grievances. We see none of this in the Potter series (at least not on the part of Voldemort and his followers; groups such as the goblins and centaurs do have historical grievances against wizards). This gives a misleading image of the true nature of racism, feeding the modern conceit that it is just the result of "hatred" or intolerance. In reality, the hatred and intolerance are usually the consequences of racist ideology, not its causes. The core of anti-Semitism, for example, is not hatred of Jews in and of itself, but the list of reasons why Jews supposedly deserve to be hated.
In Book 7, Rowling belatedly recognizes this problem, and has the Death Eaters justify their hatred of Muggle-borns by claiming that they supposedly "stole" their magic from "pureblood" wizards by taking wands from them. However, this claim seems utterly implausible as a basis for Death Eater ideology because it is too easily falsified by everyday experience in the wizarding world. As was established early in the series, virtually all wizards know that the ability to do magic is innate, and cannot be acquired simply by taking a wizard's wand. Real-world ideologies, however absurd in their ultimate conclusions, have to be sophisticated enough to avoid falsification by the basic facts of everyday life. An effective ideology must have at least some plausibility.
Here Somin errs. The business about Muggle-borns stealing wands is described as Death Eater propaganda, not as a core part of Voldemort's ideology, and is dismissed by Rowling's characters as not very persuasive propaganda. They know it's false.
Instead, Voldemort's ideology may arise out of the genetics of magic:
It seems likely that magic is inherited genetically. If there is only one gene for the ability to do magic, it could be either recessive or dominant. However, the theory that magic is a dominant trait seems more likely since the prevalence of pure-blood elitism may very well have its genesis in a rational desire to preserve the magic gene in the wizarding population. If magic was recessive, then Muggle-borns and half-bloods would pose no threat to the wizarding gene pool. However, if magic is a dominant trait, Muggle heritage may indeed result in more Squibs in the community after some generations of intermarriage.
In other words the seemingly racist, unethical and irrational ideology of Voldemort and the pure-blood elitists may have a grain of sense in it after all, considered as a means of preserving the genetic heritage of wizardkind. This explains why Voldemort gains support among so many people — and also explains why he doesn’t. Harry Potter and his non-pure-blood school chums, simply have no context for understanding what is going on and why.
If interbreeding with Muggles in fact poses a genetic threat to the wizarding community, the parallel between Voldemort and Hitler becomes obvious. In Mein Kampf, Hitler wrote:
Dr. Lueger was the opposite of Schönerer. His profound knowledge of human nature enabled him to form a correct estimate of the various social forces and it saved him from under-rating the power of existing institutions. And it was perhaps this very quality which enabled him to utilize those institutions as a means to serve the purposes of his policy.
He saw only too clearly that, in our epoch, the political fighting power of the upper classes is quite insignificant and not at all capable of fighting for a great new movement until the triumph of that movement be secured. Thus he devoted the greatest part of his political activity to the task of winning over those sections of the population whose existence was in danger and fostering the militant spirit in them rather than attempting to paralyse it. He was also quick to adopt all available means for winning the support of long-established institutions, so as to be able to derive the greatest possible advantage for his movement from those old sources of power.
Thus it was that, first of all, he chose as the social basis of his new Party that middle class which was threatened with extinction. In this way he secured a solid following which was willing to make great sacrifices and had good fighting stamina.
Likewise, Voldemort has identified a class that may believe itself to be threatened with extinction. Indeed, we are repeatedly told by Rowling that the old pureblood families are dying out. (There may also be non-genetic risks of class extinction, such as economic challenges by Muggle-borns to the old pure families.)
It is thus suggested that "Rowling combines realpolitik thinking with the romantic":
Over the first six books, Rowling introduced a wizard world that is divided by class and blood. There is the conflict between the full-blooded wizards and wizards marked by human heritage, the mud-bloods. There is also the class warfare symbolized by the conflict between the Malfoys and Weasleys. The interesting aspect is how many of the full-bloods are perfectly willing to follow a mud-blood like Voldemort. Voldemort takes advantage of prejudices of some in the wizard community to garner his own power base.
Contra Somin, Voldemort and his followers do seem to have "elaborate theories of either the inferiority or the malignant nature of the despised group."
Finally, I take issue with Somin's claim that "hatred and intolerance are usually the consequences of racist ideology, not its causes." This strikes me as exactly backwards. In Mein Kampf, Hitler develops a pastiche of half-naked half-baked theories that form the basis of Nazi ideology. Yet, the OSS study of Hitler's psychology contends that:
Many writers have expressed the opinion that Hitler's anti-Semitism is motivated primarily by its great propaganda value. Undoubtedly, anti-Semitism is the most powerful weapon in his propaganda arsenal and Hitler is well aware of it. ... All our informants who knew him well, however, agree that this is superficial and that underneath he has a sincere hatred for the Jews and everything Jewish. This is in complete agreement with our hypothesis. We do not deny that he often uses anti-Semitism porpagandistically when it suits his purpose. We do maintain, however, that behind this superficial motivation is a much deeper one which is largely unconscious.
Put another way, ideologies of evil are usually ex post rationalizations for prior irrational prejudices. Put another way, all conceptions of the good (even those of Hitler or Voldemort) necessarily rest on fundamental, non-derivable beliefs.
Leave it in the Backstory
In the Lord of the Rings, Tolkien hints that Saruman used the sort of arguments Somin presumably would call ideological to motivate the Dunlendings to support his war on Rohan. During the Second Age, the Dunlendings' land had been raided by the Númenóreans for timber and other resources, which resulted in many wars between them. In the Third Age, the Dunlendings had been displaced from their historic homelands by the coming of the Rohirrim. Here we have an example of the "real or imagined historical grievances" Somin wants.
Yet, Tolkien leaves most of this history to the backstory (indeed, I think the extended DVD version of the Two Towers movie is much more explicit on this point, if memory serves). Why not bring it to the forefront?
I think there's an inherent tension here. Somin wants evil overlords to have a plausible ideology. But how to lay out that ideology without extensive exposition? Consider one of the most blatantly ideological science fiction novels of all time, Robert Heinlein's Starship Troopers. Most of the middle of the book is devoted to Johnny Rico's time at Officer Candidate School, most of which is devoted to thinly disguised political essays. They're it's slow, pretentious, and boring. They break up the flow of the action.
Personally, I think Rowling sometimes erred on the side of putting in too little of the backstory. In her defense, however, let it be noted that she is telling a story for children (that a lot of us adults ended up liking) in which probably 99% of the pages are told from the point of view of a young adult who is not part of Voldemort's army and has had almost no exposure to Voldemort's ideological pretensions. So it's highly unlikely we'd get much in the way of expositional narrative lying out Voldemort's beliefs.
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COMMENT:
AUTHOR: Kevin Baker
URL: http://smallestminority.blogspot.com
DATE: 07/23/2007 07:05:31 PM
Interesting piece.
One quibble: As a reader of
Starship Troopers in adolescence, and many times since, I never found those
"thinly disguised political essays" slow, pretentious or boring. They were thought-provoking, crucial to
the purpose of the novel, and the part I took from the book over everything
else. That novel was a delivery system
for those essays, and Heinlein did a far sight better job of delivering his
essays in novel form than Ayn Rand ever thought about.
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COMMENT:
AUTHOR: Hartley
URL: http://profile.typekey.com/Hartley/
DATE: 07/23/2007 07:28:20 PM
I think the
final paragraph of your essay, Professor, has much to do with it - Ms. Rowling
was writing a juvenile fiction book, and I suspect she may have worried that
giving Voldemort and his "movement" any sort of identifiable ideology
might risk creating "followers" among her more susceptible
readers. The other danger, of
course, is that such an ideology might be determined to be analogous to one of
today's real movements - and she did NOT want any of that distracting from the
book - and also risking their
primary, juvenile audience.
Better, I think, that Voldemort remain a caricature of evil, rather like
the Dursleys of obnoxiousness or the Ministry of incompetent government.\
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COMMENT:
AUTHOR: DWPittelli
URL: http://woodedpaths.blogspot.com/
DATE: 07/23/2007 07:28:02 PM
Magical powers would have to be recessive, in order for
Muggles to ever give birth to Wizards.
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COMMENT:
AUTHOR: Brent Michael Krupp
URL:
DATE: 07/23/2007 07:50:18 PM
Magical power can easily be dominant and simply have a
small chance of spontaneously arising through mutation. That explains where
wizard children of 2 Muggle parents come from.
Of course, like most real traits (eye color,
intelligence, etc.) it's probably the result of a bunch of different genes
interacting in a complex fashion.
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COMMENT:
AUTHOR: Assistant Village Idiot
URL: http://assistantvillageidiot.blogspot.com
DATE: 07/23/2007 08:48:10 PM
Every writer of a fantasy series must eventually come up
against the question of what she believes hell or evil actually is. Piers Anthony makes up a demonology at
the beginning of Xanth that purports to do this, but he himself is unconvinced
by it. The fourth and fifth books
of the series illustrate better the nonexistence and impotence that is closer
to Anthony's real fear.
It is not merely poor storytelling to refrain from
describing the villain's motivations in depth. The author's point is often that there is no real
justification, just rationalization.
Good characters gone bad, such as Denethor or Anakin, require
explanation. For Sauron,
Voldemort, or Arawn, narcissism is enough. Their followers usually do require some trumped-up or
imagined grievance to activate them, but the projecting of their own jealous
and vengeful natures onto the good guys is usually enough to keep things going.
(Change sets) The correct order is Narcissism, Paranoia,
Ideology, with the caveat that the ideology is usually based on something
already present in the individual's thinking. In the psychotic disorders of definitely biological base
such as schizophrenia, the narcissism results rather innocently from the
"special" impressions or voices that the sufferer apprehends and
others do not. (When I started in
the field in the 1970's new-onset paranoids were often worried about the CIA. When the Godfather movies came out, new
cases picked up on mafia paranoia.
These days it's satellites and computers doing the evil. And through it all, many religious
persons find spiritual paranoias, political people gravitate to political
explanations, etc.) These unusual perceptions lead to the internally logical
conclusion that the subject must have special powers, or be especially chosen
in some way. In the personality
disorders the causes of the narcissism are less well understood - there may be
a host of interactive genetic, prenatal, and environmental factors. But the order is the same: Narcissism,
Paranoia, Ideology. As before, the
ideology is not created ex nihilo, but is based on something previously
present.
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COMMENT:
AUTHOR: aidan
URL: http://aidanmaconachyblog.blogspot.com/
DATE: 07/23/2007 08:50:14 PM
I second Somin's complaint.
The backstory may indeed gild the plot with some
legitimacy but it doesn't shed light on the source of our presumption. In our
culture in 9 cases out of 10 we presume good will triumph over evil, and indeed
in the world of fantasy it invariably does.
As children Disney taught us this subliminal lesson. With
some rare exceptions, fairy tales, Graeco-Roman and Christian myths taught us
this also. It is perhaps our greatest conceit - that the good guy will, has to,
must ... triumph. This is why Iraq is such a devastating blow to believers in
this article-of-faith. Evil appears to be flourishing and even winning in that
theater-of-the-unpredictable, in which no presumption can ever be relied
upon.
My main objection to evil overlords in fiction, on the
silver screen ... in video gaming and pro-wrestling culture ... is that they
are a joke, even with scads of ideological trapping. They are a joke because
they personify an essential falsehood. This fictional rendering of the dark
side may be great fun, but it deceives our children about the true nature of
reality. Rowling and Tolkien set up their dark 'straw' powers more convincingly
than most, and yet still they are set up to fall. Even as we watch their
exercise of seemingly invincible power, we know deep down they are hollow men
and women who posture and threaten in vain because they are fore-ordained to
lose before the all-conquering power of the good.
Hollywood routinely dishes up this scenario in one form
or another. The belief, almost amounting to an article of faith that the good
guy - simple, self-effacing, hard working - will win out in the end despite a
sea of troubles, has been woven into our common psyche. For every good guy who
fits this profile, there are perhaps a million who have been denied justice and
who have been royally screwed by destiny that is nothing if it isn't loftily
disinterested when it comes to the fate of Joe Average.
Clark Kent took the righteous protagonist a step further.
Not only would simple integrity and decency win out over evil in conformity
with 'higher design' - but the
retiring hero himself assumed the role of 'vanquisher of evil' and we are
seduced into believing that his morality can survive this make-over. We believe
in his mission even when it becomes unbalanced, overly zealous and at times
absurd. In the eyes of believers the superhero remains forever incorruptible even
as he exacts terrible retribution and devastates his enemies with specialized
'smart' weaponry.
The greatest lie of all is that good will out. It doesn't
always. It didn't in the killing fields of Pol Pot. It didn't in Rwanda. It
doesn't in many a family and in many a relationship. It doesn't in many a
church. Not even in the White House. Yet none of this dints our inherent sense
of righteousness. The irony that 'evil' grows exponentially even as we evoke
authority to defeat it, is never fully examined. The prospect that there may be
some other approach to the problem of 'evil' seems beyond our philosophical
grasp as a culture.
Darkness and light are not
distinct and mutually exclusive states of being. There are no 'good' guys.
There are no 'bad' guys. The darkness we see in others is the darkness within
ourselves and even our worst enemy has redeeming characteristics that we ignore
at our peril. When we assume the right to wield the sword of righteousness in
an absolute sense we risk becoming the bigger villain. Understanding that truth
is the beginning of wisdom.
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COMMENT:
AUTHOR: George Atkisson
URL: http://profile.typekey.com/GeorgeAtkisson/
DATE: 07/23/2007 10:08:44 PM
For Aidan:
For most of your article, you were illustrating the fact
that evil does in fact seem to triumph quite often. It is a difficult question
as to why we wish to believe that good will triumph. You were quite clear that
evil is real and sometimes
prevails.
Then in the last paragraph you go postmodern and deny
that any of the evil you rail against exists. There is suddenly no objective
difference between the suicide bomber and the passerby who wrestles him to the
ground to protect others, knowing he will die.
That is not the beginning of wisdom. It is the death of
wisdom to surrender any knowledge of good and evil and thus to consciously
choose between them.
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COMMENT:
AUTHOR: aidan
URL: http://aidanmaconanchyblog.blogspot.com/
DATE: 07/24/2007 01:04:38 AM
"Then in the last paragraph you go postmodern and
deny that any of the evil you rail against exists."
I wasn't in fact implying that evil (capital E) exists in
the earlier part of the post either. I was going along with cultural/religious
assumptions that it does, so used the term. The objectification of 'evil'
courtesy of religious belief systems is in fact a large part of the problem.
"There is suddenly no objective difference between
the suicide bomber and the passerby who wrestles him to the ground to protect
others, knowing he will die."
You can't go from the presumption of an alleged
"postmodern" view of evil to the assumption that a person is
therefore bereft of ethics or devoid of a fundamental sense of right and wrong
when it comes to harming others. One makes choices all the time. However if
thinking is pre-configured along ideological/theological lines, chances are you
may not be seeing the situation clearly. The biggest problem is the imposition
of this good/evil paradigm in terms of how we view life. The absence of
preconditioned thinking along these lines, certainly doesn't imply that a
person is therefore amoral, immoral or less equipped to act in the instance of
your suicide bomber example.
"That is not the beginning of wisdom. It is the
death of wisdom to surrender any knowledge of good and evil and thus to
consciously choose between them."
Well tell that to a Taoist. You presuppose that
'knowledge' derives from that which is imparted, and that if a person isn't
privy to knowledge systems of the didactic sort they are ill-equipped to choose
between 'good' and 'evil' (I use the words in a qualified sense because in real
terms there are many shades between black and white). A look at historical
periods when good and evil was objectified in the form of crusades,
inquisitions and all manner of bizarre psycho-dramas enacted by the faithful
doesn't lead me to the view that knowledge of this sort is beyond being
perverted. There are different ways of knowing.